For the nostalgic among you, this classic album by Horslips is a must for any music collection. Still great after all these years.
Track List – Setanta, Maeves Court, Charolais,The March, You Can’t Fool The Beast, Dearg Doom, Ferdia’s Song, Gae Bolga, Cu Chulainn’s Lament, Faster Than The Hound, The Silver Spear, More Than You Can Chew, The Morrigan’s Dream, Time To Kill.
Jim Lockhart keyboards, flute, whistles, uilleann pipes, vocals. Eamon Carr drums, bodhran, percussion. Barry Devlin bass, vocals. Charles O’Connor fiddle, mandolin, concertina, vocals. Johhny Fean guitar, banjo, vocals.
This collection of nineteen short stories deals with murder, the supernatural, immigration, separation, relationships, love and life. While the stories are set mainly in rural Ireland some inevitably cross the Irish sea. They provide a glimpse of Irish life fast disappearing and range from dark comedy to poignancy.
In ‘Lady of the Lake’ the peace and tranquility of a lakeside village is broken by the murder of a quiet if somewhat inquisitive stranger.
The ticking of an old clock brings back childhood memories of a formidable old woman in ‘Kate the Bush.’
The short story ‘The Homecoming’ explores the relationship between a father and son against the background of immigration and advancing years.
In ‘A Grave Matter’, Flaherty’s pub is frequented by local drunkards, headers, wasters and anybody else who happens yo be passing by and has the misfortune to call in.
Examines one of the most important frontier regions of Europe in the thirteenth century by defining the relationship between Gaelic lords, Anglo-Norman lords, and the medieval environmental landscape of the King’s Cantreds, a space that was both the homeland of O’Conor royal authority from the eighth century and a defined holding of the English kings in the early thirteenth century.
This work offers a new and innovative insight into the history of thirteenth-century Ireland by exploring the interplay between Gaelic lords, Anglo-Norman lords, and the medieval environmental landscape that connected them. Focusing on the king’s cantreds of Roscommon, a space that was both the homeland of the O’Conor royal authority from the eighth century and a defined holding of the English kings from the early thirteenth century.
The book explores the frontier landscape as an active player in its own right within Irish history and discusses the way that both Gaels and Anglo-Normans interacted with, and were in turn influenced by, this environment. This unique approach to Irish history enables the author to step away from the traditional view of a dyadic relationship between Gaelic and Anglo-Norman lords and instead demonstrate that not only did both sides alter and change the environment around them according to their perceptions of their enemies and the threat posed by the land, but that the landscape itself was to play a significant role in shaping and influencing the identities and destiny of its inhabitants.
Memories and photographs from the town land of Curcreigh in County Roscommon. Michael Dalton recollects his childhood and early years as he observes a way of life and a farming population fast disappearing.
A way of life which was typical of so many other townlands in the West of Ireland.
One of three limited, bespoke Ogham plaques exclusively produced for Rathcroghan Visitor Centre, featuring a representation of Medb (Maeve), the warrior queen who ruled Connacht from her seat in Rathcroghan. A central figure in Ireland’s epic past and instigator of the great Táin Bó Cuailnge (Cattle Raid of Cooley).
This is our earliest reference to Medb, based on the Ogham inscription at Oweynagat, Rathcroghan, Co. Roscommon.
One of three limited bespoke ogham plaques exclusively produced for Rathcroghan Visitor Centre. Featuring a representation of the Mórrígan – Mór Ríoghain (Great Queen) the Battle Goddess of Ireland whose ‘fit abode’ is the Cave of Oweynagat, Rathcroghan, Co. Roscommon.
One of three limited, bespoke ogham plaques exclusively produced for Rathcroghan Visitor Centre, featuring a representation of Fráoch, the legendary warrior of Connacht, whose heroic deeds are immortalised on the Rathcroghan landscape.
This reference is based on the Ogham inscription at Oweynagat, Rathcroghan, Co. Roscommon.
Remembering St. Comán – Patron Saint of Ros Comáin by Noel Hoare. This book traces the legacy of St. Comán across the centuries, and in so doing sheds light on generations of Roscommon people.
This is a comprehensive historical, archaeological and folklore-based study carried out by amateur historian Noel Hoare, where no stone was left unturned as he sought to bring the story of St. Comán and his importance in Co. Roscommon to light. A must have for anyone interested in Roscommon and it’s origins.
Covering a large swathe of the eastern part of the county, ‘Sliabh Bán, A Historical Journey’, is a 470-page volume which chronicles the lives and times of generations past who lived on and around the rugged mountain.
This publication is the culmination of twenty years of research and writing by Henry Owens of Lismehy. He has been assisted in recent years by Mike Lennon, now Dublin-based, but who grew up in Corbohill.
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Due to our Bealtaine Lecture Series our Museum Rooms will be unavailable on Sat. 11/05/24 from 11.30am to 2pm.